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Myths And Tales

ELEFSINA'S HISTORY

MYTHS AND TALES

Image 1: Demetra's statue

DEMETRA'S STATUE/ AN IRONIC MYTH

A statue's removal is enough to ruin the crops

Edward Daniel Clark was a collector of Greek antiquities at the turn of the nineteenth century. His greatest find was a colossal statue, a bust of a woman with a basket on her head which was held in veneration by the people of Elefsina. Regardless, the ancient statue of Demetra, which was buried up to it's neck, was regarded as the reason for Elefsina being so fertile.

 

The locals were very upset and feared that the Clark’s intention to remove the statue, which protected their corn fields, would be the end of their farming. But Clark got permission to take the statue from the Turkish Governor by bribing him with a telescope.

 

When after much work and a few setbacks the statue was put on a boat, the locals were sure that it would be shipwrecked. They were right and the boat sank, but the statue was recovered and sits in a corner of the Fitzwilliam Museum in Cambridge, England where it is barely noticed by visitors.

Since then Eleusis has been transformed as harvests started dying, followed by the industrial development that has turned Eleusis into an industrial nightmare, the most polluted area in Greece, an ecological wasteland and testament to man's greed and shortsightedness, beyond anything the people of Eleusis could have imagined when their beloved statue was removed.

 

The Statue of Demetra was perhaps the oldest continuously venerated statue in the world. Could the return of Demetra solve the problems of Eleusis? Maybe not.... Can the power of the ancient Gods undo the damage modern man has caused to Elefsina?

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According to Greek Mythology, Persephone was Demetra’s daughter and queen of the underworld. Demetra had an obsessed love for her only daughter and kept all men away from her. One day Hades, lord of the underworld, saw Persephone and was amazed by his youth, beauty and freshness, so he decided to grab and descend her into his underworld kingdom while the gap in the earth closed after them.  

 

Demetra heartbroken and furious at this insult and deeply believed that Hades, who after all had only dead people for company, was not the right husband for her sweet daughter. To punish the Gods and to grief, Demetra decided to take a long and indefinite leave from her duties as the goddess of harvest and fertility, with devastating consequences. The earth began to dry up,harvests failed, plants lost their fruitfulness, animals were dying for lack of food and famine spread to the whole earth, resulting in untold misery. The cries of the people who were suffering reached Olympus and the divine ears of Zeus.

 

The mighty god tried to find a solution to both calm Demetra and please Hades. He promised Demetra to restore Persephone to her if it can be proved that the maiden stays with Hades against her will. Otherwise, Persephone belongs to her husband. The crafty Hades learned this agreement and tricked her  to eat a few seeds of the pomegranate fruit who had the power to change people’s mind. When the gathering in front of Zeus took place and Persephone was asked where she would like to live, she answered she wanted to live with her husband. A great fight followed and Demetra threatened that she would never again make the earth fertile and everyone on Earth would die. Finally, Zeus decided that Persephone would spend half months with her husband in Hades and half months with her mother on Olympus.

 

According to the ancient Greeks, these were the months of Autumn and Winter, when the land is not fertile and does not give crops. Whenever Persephone went to Olympus to live with her mother, Demetra would shine from happiness and the land would become fertile again and fruitful. These were the months of Spring and Summer. Therefore, this myth was created to explain the change of the seasons, the eternal cycle of the Nature's death and rebirth.

 

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PERSEPHONE'S KIDNAP / THE FOUR SEASONS

How abducting a girl can change the seasons

In the late 19th and early 20th century, the University of Zurich turned out a handful of charismatic and enlightened Greek alumni who returned to Greece permanently and tried to implement the bold reforms introduced by statesman Harilaos Trikoupis.

Armed with great courage and a solid education and know-how, they built the country’s first big industries with an eye to a broader development strategy and the
export market.Their foresight allowed them to create supply even before there was demand:
fortified concrete, for example, appeared at a time when Greeks were still building with almost primitive materials, while denatured alcohol quickly replaced petrol in
lamps. These pioneers could see into the future and were ready to put their own money behind their vision, often driven by a sense of patriotism.


The Zurich Club, as they were later dubbed, built the country’s first industrial units in Elefsina, southwest of the Greek capital. Epameinondas Harilaos and Nikolaos Kanellopoulos founded the Elefsina Soap Factory and Olive Mill; Andreas Hadjikyriakos was the co-founder of Titan and owner of Heracles cement companies; eminent civil engineer Alexandros Zachariou served as production director at Titan; Leontios Economidis founded the alcohol-producing company later known as Vortys;
engineer Pavlos Santorinis broke new ground in the construction of the Kronos alcohol production plant; and Menelaos Sakellariou created the Iris polish and paint
factory. Notably, most of these entrepreneurs chose ancient Greek names for their businesses.
This small group, which also founded the Hellenic Federation of Enterprises (SEV) in 1907, later grew with the addition of other forward-thinking businessmen, such as
Yiannis Latsis, Stavros Niarchos, Prodromos Bodosakis and the Angelopoulos family, who turned Elefsina into a major industrial hub.
The site where the initiates of the Eleusinian Mysteries once trod, became home to production lines employing thousands of workers, while the selection of the area was
dictated by the fact that it had a port, a railway network and was ideally located between the Peloponnese and mainland Greece.
The fascinating story of these men and the region’s development into an industrial hub is outlined with a wealth of audiovisual material in the exhibition “Industrial Elefsina: Men and Factories,” which runs until November 15 at the Old Olive Mill’s Administration Office on the town’s waterfront. Valuable artifacts from the area’s biggest plants are displayed alongside documents and narratives by workers. All that remains of many of these erstwhile plants today is little more than a shell; however, some of the units have grown and survived to this day. The exhibition also offers valuable insight into an aspect of industry that is often overlooked in Greece, where
the focus tends to be on the labor movement, by putting the spotlight on the pioneers. It is also the first public event to be organized by the Georgios Ambatzoglou Museum of Elefsina’s Modern History, a new institution whose initial committee is headed by Kalliopi Papangeli, an archaeologist who was instrumental in the work done by the Elefsina archaeological service. She was responsible for collecting and organizing most of the material that is on display, while the exhibition
was designed by museologist Erato Koutsoudaki.


The show
The first display at the entrance of the venue consists of the portraits of the Zurich Club industrialists, shown in mirrors.
“We wanted to use this exhibition as an opportunity to address the importance of labor and entrepreneurship,” says Koutsoudaki, who has designed the exhibition over
two floors, with each section showcasing a different factory.
“In the past few decades we seem to have lost our sense of moderation in regards to what it means to be an employer, a unionist or a worker, and this exhibition helps shed light on chapters of this interconnected history that have been lost,” she says. The material was collected via on-site visits to the factories and with the help of two collectors – Costas Lykidis and Giorgos Pavlopoulos – who have amassed a treasure
trove of important documentary evidence on the area’s industrial history. Material was also donated by Elefsina Shipyards (scale models), Halyvourgiki steel mills (materials and products) and Pyrkal defense industries. Photographer Yiorgis
Yerlolymbos has also made a significant contribution with photographs of the plants in their present state. “Our aim was also to reach out to the local community of Elefsina. The number of people who supported the endeavor by offering their own stories and relevant items was really very touching,” adds Koutsoudaki.

A FASCINATING TALE OF MEN AND FACTORIES

How abducting a girl can change the seasons

Image 2: Persephone's abduction

Image 3: Hade is drugging Persephone to his kingdom

Image 4: History and industries 

Image 5: Elefsinian factory

REFERENCES

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